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This third publication in the Fundacion Cisneros' "Conversaciones"/"Conversations" series puts Brazilian conceptual artist Jac Leirner in dialogue with art historian Adele Nelson. Leirner (born 1961) emerged in the early 1990s at the forefront of a new, transnational generation of artists looking to the art of the 1960s and 1970s as a point of departure. Leirner's meticulously constructed works carve out a place for commonplace objects, from c...

As an art critic, political essayist, playwright and poet, Ferreira Gullar (born 1930) has been a key figure in the Brazilian cultural scene of the last 60 years. His extensive poetic output has been closely intertwined with his work as an art critic, from his first major collection of poems in 1954, through his Concrete and Neoconcrete poems from 1957 to 1959 and the "Neoconcrete Manifesto" and the "Theory of the Non-Object" of 1959. All are ...

The Fundación Cisneros' Conversaciones/Conversations series is dedicated to preserving firsthand testimonies of leading artists and intellectuals from Latin America. Argentinian artist Liliana Porter has lived and worked in New York since 1964, her work has been exhibited internationally and is represented in many public and private collections. Using a wide range of media--including sculpture, printmaking, works on canvas, photography, video ...

The Fundacion Cisneros' new "Conversaciones" series is dedicated to the exchange of ideas between artists and authors. This second publication in the series contains a collection of interviews between the Argentine-born artist, industrial designer and theorist Tomas Maldonado and writer Maria Amalia Garcia. Maldonado established his reputation while a professor at the Hochschule fur Gestaltung in Ulm, Germany. Under his leadership, the school ...

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Based on the second ed. of "Conversaciones con Jesus Soto" by Ariel Jimenez published in 2005.

Gyula Kosice (born 1924) is an innovative Argentine artist and poet. His constructions and sculptures were inspired as much by local discussions and disputes in the cafés of 1940s Buenos Aires as by the international avant-garde. In dialogue with Gabriel Pérez-Barreiro in this latest volume from the Fundación Cisneros' Conversaciones/Conversations series, Kosice recalls his contributions to an era of hotly debated movements and manifestos, the...

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The Fundación Cisneros' Conversaciones/Conversations series publishes firsthand testimonies of leading artists and intellectuals from Latin America. German-born Uruguayan Luis Camnitzer (born 1937) has been an influential artist, theorist, teacher and curator for nearly five decades. He was at the vanguard of 1960s Conceptualism, working in printmaking, sculpture installation and other media. Camnitzer's work challenges our perception of reali...

In the 19th century, European and North American travelers illustrated narratives of their explorations in the New World that were published in Europe. Europeans imagined the tropics as a site for cultural imperialism and fantasies of self-realization. Traveler artists often authenticated this perception by presenting the landscape as an enchanted land. Later in the century, native artists began to pick up the European landscape tradition and ...

Despite its longevity as a tradition stretching back to at least the eighteenth century, the Grotesque has only recently become a non-pejorative term in art and academia. The Grotesque Factor takes a close look at the evolution of the Grotesque, examining early caricature (Hogarth, Goya), abject, scatological and black humor, nineteenth-century French art and literature (Grandville, Baudelaire, Jarry), Jame Ensor, the grotesque in early film a...

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