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A scholarly meditation on Reinhardt's work, bringing together his abstract painting, comics and slide lecture seriesThe second volume of Focal Points takes as its subject the work of American artist Ad Reinhardt (1913-67). An American abstract painter, he worked in New York alongside artists including Jackson Pollock, Mark Rothko and Willem de Kooning. Renowned art critic and historian Robert Storr curated the award-winning 2013 exhibition of ...

Reflections on diversity and inclusion issues from one of the most influential American art criticsPreviously published by the Andy Warhol Foundation of the Visual Arts in 1994, Between a Rock and a Hard Place is the focus of the third volume of Robert Storr's Focal Points series. In this two-part essay, Storr examines the lack of diversity among the highest levels of the museum world: drawing on situations he encountered in his own career as ...

Bruce Nauman's work surveyed by the former Museum of Modern Art curator who organized his major 1995 retrospectiveAmerican artist Bruce Nauman (born 1941) has worked across a wide range of mediums including neon, sculpture, video, installation, performance and drawing to pursue his question of what it means to create art. Edited by art historian Francesca Pietropaolo, this book brings together for the first time a selection of essays and artic...

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A unique collection of articles on the French avant-garde artist Francis Picabia, written by the late American figurative painter Philip Pearlstein who died in New York on December 17, 2022  Illustrated with artworks by Picabia, Marcel Duchamp and Pearlstein, along with a facsimile of Pearlstein¿s 1955 M.A. thesis `The Paintings of Francis Picabia 1908¿1930¿  With a foreword by art writer and critic Robert Storr on the importance of Pearlstein...

Insight into the minds of two of the art world's most esteemed figures: Richter, widely considered one of the greatest artists of our time, and Obrist, the preeminent commentator on and curator of contemporary artNow in a compact hardback edition with a revised preface by Hans Ulrich Obrist and a special cover drawing by Gerhard Richter, this volume collects together a series of conversations between Obrist and Richter over the course of more ...

There is a layer of the public architecture that has become so familiar that we barely notice it. Street furniture has the capacity to define a city, to locate it and to anchor us within it. Benches, bollards, streetlights, signs, barriers, post boxes, phone booths ? they are the physical manifestation of public infrastructure, a network of goods between architecture and the body.00In this book, Edwin Heathcote, architecture and design critic ...

The first comprehensive collection of Annette Messager's drawings, including 150 works made over the last ten years, which constitute an invaluable lexicon to the mind and work of a trailblazing iconoclast.

Suad Al-Attar is an extensively illustrated monograph featuring original photography of more than 100 expressive and surrealistic paintings and drawings by one of Iraq's most renowned artists. Written by the artist's granddaughter, the book offers unique access to the career of a truly sensational artist and painter.

Inspirations: Avant-Garde Stained Glass presents a personalised history of stained glass from British artist Brian Clarke, the world's leading artist working in the medium today. Featuring original photography of innovative works and pioneering texts carefully selected from the archive of writings on stained glass.

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This fascinating volume showcases the work of British artist, poet and performer Liz Finch and presents a series of 25 sculptures created between 1975 and 2016. The gentle figures are strangely familiar, built using found and made objects that might otherwise be discarded. Knitted limbs and faces with stitched or collaged features are affixed to torsos made from cardboard boxes that are plastered with papier-mache and painted. The fragile bodi...

Originally a film by British avant-garde filmmaker Nichola Bruce, 'The Romance of Bricks' is a portrait of the artist Liz Finch: a British painter, performer and poet. From her life-changing accident and rural solitude to the mad social whirl of 80s London anarchic performances and up to the present day, The Romance of Bricks sews together archival film over many years to produce an intriguing glimpse into the private world of the artist. The ...

The highly anticipated concluding volume of Robert Storr‿s writings collection, completing the first comprehensive series of writings on art by the leading American art critic and curator.

A vibrant monograph tracing the career of artist and muralist MadC. For over 20 years, she has captivated global audiences with her distinctive style of art characterised by abstract compositions of sweeping lines and transparent layers of vivid colours.

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Hans Ulrich Obrist brings his curating expertise to the Instagram feeds of almost 300, 000 followers, in an endeavour to revive the art of handwriting from in the digital age. The result is one of the most comprehensive looks at the art world from the inside, inclusive of artists, writers, designers, musicians, actors, architects and public figures.

A sumptuous watercolor homage to poppies, from the artist's London gardenAs Covid persisted into the spring and summer of 2020, British painter and architectural artist Brian Clarke (born 1953) began to spend long evenings in his garden at home in London. Though the global mood was one of solemnity, Clarke found that the poppies in his garden remained as bright as ever.Taking its title from hespera, the Greek word for evening, Vespers is a col...

An epistolary collection of paintings by French painter and philosopher Eugenie Paultre, Matter of Life is a diaristic account of the artist's six-month residency at Damien Hirst's workshop where she discovered and documented new possibilities in her painting, as well as a more profound connection to the work of her host.

The most comprehensive collection of artworks by world-renowned artist Brian Clarke to date. Designed in close collaboration with the artist himself, featuring stunning photography that captures Clarke's revolutionary approach to the medium of stained glass, with an introduction by Norman Foster and an essay by Paul Greenhalgh.