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This book studies the work of filmmaker Tang Shu Shuen in Hong Kong in the 1960s and 1970s. It is the first extensive study on a major and influential feminist authorship in Hong Kong cinema history. It raises issues regarding the applicability of paradigms of Western auteurism and feminist authorship in studying Tang's work.

Providing useful reading for students and researchers of world Englishes in the Asian context, this study of the users and uses of English in Asia, its acculturation, nativization and innovative dimension of Asian creativity contextualizes a variety of theoretical, applied and ideological issues with refreshing interpretations and re-evaluations.

This volume brings together some of the best and most knowledgeable writers on consumption and cultural theory to chart the under-explored field of intra-regional cultural flows and consumption in Asia, and the importance of these in constituting contemporary Asian national identities.