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In celebration of the 50th anniversary of Harvard's Houghton Library in 1992, Curator of Manuscripts Rodney Dennis asked a stellar cast of critics, historians, and curators to write on items selected from the library's rich trove of manuscripts, which ranges from the papyrus fragments and ostraca of Antiquity to the papers of such modern figures as Elizabeth Bishop and Leon Trotsky. The result was "Marks in the Fields, " an extraordinary colle...

Daniel Berkely Updike (1860-1941) founded the Merrymount Press in 1893, which quickly came to represent the flowering of the Arts and Crafts movement in American book arts. At the same time, the quixotic and patrician Updike championed his vision of the "scholar-printer"--an artist whose work mixes a practical understanding of the printing trade with a deep knowledge of and reverence for the history of the book. This catalogue demonstrates the...

In 1992 the Houghton Library celebrated fifty years of preeminence with an exhibition devoted to its riches. This work catalogs an astonishing range of books, manuscripts, and curiosities: a miniature stage set made for a 1975 Mabou Mines production of Samuel Beckett's play "The Lost Ones", manuscript scores and first editions of works by Faure, Schumann, and Beethoven, among others, pathbreaking prints from the hands of Piranesi and Delacroix...

Harvard's home for rare books and manuscripts opened in 1942, and thanks to the energy of a small group of librarians and the creativity and generosity of its benefactor, Arthur Houghton, it quickly emerged as a center of inquiry and memory without equal. This 1992 volume, compiled by senior Houghton librarians, blends documentary with oral history to look back on the library's origins, the growth of its collections, and the activities of the ...

Philip Hofer, who founded the Department of Printing and Graphic Arts in the Houghton Library, was a curator and collector of great zeal and singular taste. In this exhibition catalogue his successor, Eleanor Garvey, explores the rich legacy Hofer bequeathed to Harvard: extraordinary manuscripts, writing manuals, illustrated books, and examples of fine and unusual printing. The objects of Hofer's fancy constitute a teaching collection and a sc...

Calligrapher, stonecutter, illustrator, and type designer, Stephen Harvard's art and craftsmanship were rooted equally in the history of the book and the natural world. At his untimely death in 1988, Harvard left both a collection of graphic works and a body of prose that explored his dream of an ideal alphabet, "a perfect, proportionate set of images that shine with a pythagorean light, " a dream that Harvard found as compelling and impossibl...

After the invention of the printing press in the fifteenth century, the art of writing in manuscript took on fresh meaning. Printed manuals for the teaching of lettering and handwriting quickly appeared, marketed to a growing literate readership anxious to express humanistic values through fine writing. Mixing the aesthetics of calligraphy with innovative new means of printing, writing manuals thus reflect both the proliferation of print techn...

The career of historian, bibliographer, and librarian George Parker Winship (1871-1952) combined curatorship and scholarship to a degree that seems remarkable today. As librarian and curator at Brown and later at Harvard, he championed the primacy of the role of rare books in American higher education. As a connoisseur and printer, he played an active role in promulgating enthusiasm for fine printing among collectors and readers in the early t...

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