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Thinking Contemporary Curating is the first book to offer an in-depth analysis of the volatile territory of international curatorial practice and the thinking--or insight--that underpins it. In five essays, renowned art historian and critic Terry Smith describes how today curators take on roles far beyond exhibition making, to include reimagining museums, writing the history of curating, creating discursive platforms and undertaking social or ...

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EN MAS' is one of the first publications to give serious scholarly attention to contemporary art works considering carnival in the 21st century, filling a gap in two decades of exhibitions of contemporary Caribbean art that did not explicitly address carnival as an artistic practice. A hybrid exhibition catalogue and academic reader with a lively carnivalesque feel, it presents nine newly commissioned artist projects by John Beadle, Charles Ca...

Independent Curators International (ICI)¿s Sourcebook series is dedicated to contemporary artists¿ personal perspectives on social, political, and cultural issues. Edited by an artist, each book in the series is a collection of primary research materials consisting of rare archival documents, artwork studies, and excerpts of landmark publications selected from their own archive annotated with personal commentary. The Sourcebook series follows ...

Text by Susan Hapgood and Susan Andersen. Foreword by Judith Richards.

Since 1981, Independent Curators International (ICI) has run a series in which prominent New York artists talk about their work to an audience gathered at the artist's studio. The New York Studio Events program has visited some 200 distinguished artists throughout its history, including Janine Antoni, Mel Bochner, Louise Bourgeois, Petah Coyne, Leon Golub, David Levinthal, Mary Lucier, Laurie Simmons, Richard Tuttle, Fred Wilson, Vik Muniz and...

Pictures, Patents, Monkeys, and More...On Collecting examines the collecting impulse in its various incarnations, raising fundamental questions about why we collect and why we collect what we collect. Surprising and eccentric, this publication features three utterly different collections: Pictures (and other contemporary art objects) from the renowned Robert Shiffler Foundation in Ohio, Patents, a selection of the Smithsonian's collection of p...