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Laura Leuzzi is an art historian and curator whose research focuses on the relationship between words and image in visual art and new media. She was a research fellow on the Arts and Humanities Research Council funded project, REWINDitalia, based out of Duncan of Jordanstone College of Art and Design, University of Dundee.Stephen Partridge is an artist, academic researcher, and pioneer of Early British video art. He is Professor of Media Art a...

Emma Jean Kelly is a Pakeha scholar with an interest in film and archival histories and philosophies, museum studies, and social media discourse.

This volume reflects the growing interest in animation as a medium. Cartoons -- including those dating from the classic Hollywood era as well as feature films and television series of a more contemporary vintage -- offer a rich field for detailed investigation and analysis. Contributors draw on theories and methodology from film, television, and media studies, art history and criticism, and feminism and gender studies. A Reader in Animation St...

Tony Grey is a Canadian actor who studied classics, history, and law. He was an actor in several television dramas on the Canadian Broadcasting Corporation and was the lead in one of Canada's first feature films.

Amy M. Davis is author of Good Girls and Wicked Witches: Changing Representations of Women in Disney's Feature Animation, 1937-2001 (IUP, 2006) and a Lecturer in the Film Studies Department at the University of Hull.

Frank Kessler is Professor of Film History at Utrecht University and one of the founders and editors of KINtop: Jahrbuch zur Erforschung des fr¿hen Films. He is the president of Domitor, an international association for research on early cinema.Nanna Verhoeff is Assistant Professor in the Department for Media and Culture Studies at Utrecht University, the Netherlands. She is author of The West in Early Cinema: After the Beginning.

What do we mean by the term "animation" when we are discussingfilm? Is it a technique? A style? A way of seeing or experiencing "aworld" that has little relation to our own lived experience of "theworld"? In Animated Worlds, contributors reveal the astonishing variety of"worlds" animation confronts us with. Essays range from close filmanalyses to phenomenological and cognitive approaches, spectatorship, performance, literary theory, and digita...

Floriane Place-Verghnes examines the work of this great Americananimator. Focusing primarily on four facets of Avery's work, the author firstconcentrates on Avery's ability to depict the American attempt both to retrieve thepast nostalgically and to catch the Zeitgeist of 1940s America, which confronts thequestions of violence and survival. She also analyzes issues of sex and gender andthe crucial role Hollywood played in reshaping the image o...

The current digital revolution has sparked a renewed interest in the origins and trajectory of modern media, particularly in the years around 1900 when the technology was rapidly developing. This collection aims to broaden our understanding of early cinem

A window onto the development of Edison's moving-image machine