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Relics of the everyday as tongue-in-cheek allegories for sexuality and decadence New York-based sculptor Kathleen Ryan (born 1984) recasts found and handmade objects as spectacular, larger-than-life hieroglyphs of Americana. This book gathers her titular series of bejeweled, oversized moldy fruit sculptures.

A half-century of social change in America, documented in the writings of Danny Lyon, photographer and author of The Bikeriders and The Destruction of Lower Manhattan"From the beginning, even before he left the University of Chicago and headed south to take up a position as the first staff photographer for the Student Nonviolent Coordinating Committee, Danny Lyon dreamed of being an artist in language as well as in pictures, " writes Randy Ken...

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Anadili Arapca olmayanlarin Arapca konusma becerisini artirma niyetiyle hazirlanmistir. Uluslararasi dil ögretiminde A1 ve A2 seviyelerine uyumlu olarak orta düzeyi ilerletmeyi hedeflemektedir.

Between art, engineering and architecture: recent works by Robert GrosvenorThis monograph on Robert Grosvenor (born 1937)--known for his large-scale architectural sculptures--accompanies his third solo exhibition at Karma and concurrent exhibition at Galerie Max Hetzler, presenting recent works of sculpture alongside an essay by renowned curator and critic Bob Nickas.

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A handsome and hefty clothbound compendium of Lozano‿s explorations of gender through drawingThis 640-page volume comprises drawings from a critical six-year period in the development of American painter and conceptual artist Lee Lozano‿s (1930-99) practice. Her daring, facetious sketches investigate issues of gender and the body through the erogenous anthropomorphization of tools. Lee Lozano: Drawings 1958-64 includes two newly commission...

Collecting Mark Flood's irreverent reinventions of the protest signHouston-based artist Mark Flood's (born 1957) 1992 protest signs were first deployed outside the Republican National Convention of that year. With cardboard, foam core upcycled from the Menil Collection and vintage stencils gifted by a relative of Jackson Pollock, Flood's signs display ironic slogans beside silkscreened images of Reagan, Bush and Schwarzenegger.

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Tüm hayatin kararlardan olusur.Sabah kalktiginda yüzünü hangi sabunla yikayacaksinHangi kiyafetleri giyeceksinKahvaltida ne yiyeceksinTek bir günde bunlar gibi binlerce karar aliyorsun.Tüm bu kararlari da kendi özgür iraden ve aklinla aldigini düsünüyorsun.Emin misinSadece disini hangi macunla fircalayacagini belirlemek icin bile, hic görmedigin yerlerde, hic tanimadigin kisiler, araliksiz calisiyor.Sence trilyon dolarlik sektörler senin karar...

Zarafet, güclü, zarif bir Hanimefendi, güclü ve asil bir Beyefendi demekti aslinda...Hanimefendi ve Beyefendi kelimesi cinsiyet belirtirken ayni zamanda saygili, oturaklianlamini da tasimaktaydi... Iste aranilan buydu... Cinsiyet fark etmeksizin asil, güclü, oturakli, hak-hukuk bilen, okumasini-yazmasini, konusmasini-susmasini, oturmasini-kalkmasini, yemesini-icmesini kisacasi adap kurallarini bilen kendini gelistiren, ögrenen, ögreten, gelise...

The latest colorful, intimately gestural abstractions from Marley Freeman This volume commemorates New York-based painter Marley Freeman's (born 1981) 2019 solo exhibition of her abstractions at Karma with an essay by Lauren O'Neill-Butler, who writes that Freeman's "works offer an alternative, an option to opt-out of signifying monolithically.

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Alex Da Corte's foam wall pieces celebrate the zest and color of cartoon aesthetics Published for Alex Da Corte's (born 1981) 2019 solo exhibition with Karma Gallery, this volume features the eponymous short story by Eugenia Collier, as well as two newly commissioned texts by writer Tausif Noor and animator and historian John Canemaker.

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Drawings of ash trays and cups from a modern chronicler of the everydayThis book from New York-based artist Dike Blair (b. 1952) showcases his drawings from the past two years. Exploring the same imagery as his oil paintings and gouaches--ash trays, cups, mugs--allowed Blair to make his drawings "more effortless and free.

Permutation and portraiture: serial paintings of moons, stripes and the birds of Maine by Ann CravenBirds We Know is the catalog for an exhibition of paintings by New York-based artist Ann Craven (born 1967). This large survey at the Center for Maine Contemporary Art is the artist's first exhibition in Maine, where she has been living part-time and painting since the early 1990s. It was at her farm house in Lincolnville, Maine, inspired by the...

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From art book to artist's book: painterly interventions in an El Greco monograph by Marley FreemanHere, New York-based painter Marley Freeman (born 1981) transforms the spreads of a reference book on El Greco into abstract paintings that cover text and image alike, and leaving half the book with only small traces of interventions.