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Artist Alex Da Corte (born 1980) worked with writer and artist Sam McKinness to compile this book of 24 stories and fictional essays on the themes of the Telephone, Paranoia, Romance in the Night, Suburbia, the Moon, Superstitions, Ghosts and Monsters. The writers for the book include Jia Tolentino, Francesca Gavin, Collier Schorr, George Pendle and David Rimanelli.

Shelf Life provides the first comprehensive look at the paintings, drawings and notes of Brooklyn-based artist Mathew Cerletty (born 1980). His surrealistic works torque the recognition of common objects such as Diet Coke logos, fish, foliage and planets.

This book collects drawings, supplemented by her own photographs, by artist Katherine Bernhardt (born 1975), of midcentury modern houses in the Hamptons, Fire Island and Martha's Vineyard. Bernhardt spent the summer of 2017 living at Elaine de Kooning House in East Hampton. She and her son embarked on bike rides around the area, and Bernhardt became fascinated by, as she writes, "huge and small wonderful wood and glass masterpieces, some with ...

Bir masal kitabinin icinde yasayan masal kahramani kücük kelebek Zinin öyküsüdür bu. Zi masal dünyasi disindaki gercek dünyaya gecerek oradaki yasami görmek ister ve macera baslar. Masal kitabinin disindaki hayat Zinin hayal ettigi gibi midir Orada Ziyi neler bekliyor Peki Zi gercek dünyayi görmekten vazgececek mi Hepsi Saskin Kelebek Zi de sizleri bekliyor.

Bir ciftcinin tarlasinda yasayan kücük bir günebakanla onunla arkadas olan kücük bal arisinin öyküsüdür bu. Her sey bir gün günesin ortadan kaybolmasiyla baslar. Bal arisi Nibinin ayaklari günes kayboldugu icin üzülen günebakan Pianin ciceklerine yapisir. Ancak Pia gülerse ayaklari kurtulabilecektir Nibinin. Polen toplama yarisinda kralice aridan ödülü almak isteyen Nibi, günesi bulup Piayi güldürebilmek icin onunla birlikte günesi bulma yolcu...

The Museum of Contemporary Art Detroit's show 99[ or Less gathers 99 American artists addressing Detroit's ongoing economic crisis, its 2013 bankruptcy and its role as an industrial powerhouse. The participating artists, among them John Baldessari, Brian Belott, Sarah Crowner, Michelle Grabner, Rob Pruitt and Amy Sillman, use materials from 99 cent stores.

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Developed over eight months in three successions, New York-based conceptual artist Daniel Turner's (born 1983) on-site exhibition at Karma Amagansett recasts the conventions of bronze sculpture by burnishing bronze wool directly against the walls of the gallery.

The fifth of Michael Williams' (born 1978) artist's books with Karma, this volume focuses on drawings of faces and figures partially obscured by a uniform-size image of a browser window open at a lifestyle or commerce website. These images are interspersed with sequences of entirely black and entirely white pages, creating a flickering effect--like rapidly clicking through one's user history.

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The latest volume of writing by influential New York-based critic and curator Bob Nickas collects his 2012-14 column for Vice magazine's Komp-laint Dept. This column unleashed the full omnivorous range of the author's interests. There are essays on musicians such as Neil Young, Sun Ra, Royal Trux and Lydia Lunch, which look at their biographies and the history of Nickas' personal relationship with their music, there are lengthy and often very ...

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16 Pictures is the latest in a series of photobooks by American artist Robert Grosvenor (born 1937). Included here are color photographs of vehicles, scale models and ordinary objects. Sometimes blurry, sometimes overexposed, and very often brightly colorful, the photographs depict scenes that may be staged or chanced upon.

Half-Light Periscope, New York-based painter Rosy Keyser's (born 1974) second publication with Karma, focuses on her steel paintings. The book presents a selection of large paintings incorporating corrugated steel, rope, house paint, horsehair and other "resuscitated" materials, as well as a series of smaller studies collaging ink, pencil, monoprint and Xerox on paper.

This book brings together works by German-born, London-based abstractionist Markus Amm (born 1969) from the past ten years and includes an interview between Amm and Ines Goldbach, and a text by Jan Verwoert. With a focus on Amm's abstract paintings made on chalk grounds and other surfaces, it includes installation views of various exhibitions from 2006-17.

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