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Originally published in 1955, this rendering in rhyming couplets was the first English translation to appear of the medieval Oedipus legend of Gregorius, made known to readers by Thomas Mann in his novel The Holy Sinner (1951). The introduction situates Hartmann's poem in the pantheon of Gregorius legends by writers from Sophocles to Mann.

Originally published in 1954, Hiebel's Novalis was the first critical evaluation in English of the life and works of Novalis (1772-1801), the German Romantic poet of the Blue Flower, since Thomas Carlyle's essay in 1829.This book presents not only a fully rounded picture of the man, the philosopher and scientist, the writer of beautiful fairy tales, the mystic poet of Christianity, but also a thoughtful commentary on one of the most influentia...

These six essays elucidate some of the more significant aspects of Storm's literary technique. The treatments of some of Storm's Novellen, including Am Kamin, Aquis Submersus and two versions of Immensee, show how Storm used structure, symbolism, elements of tragedy and other narrative devices in his prodigious body of works of German Realism.

Originally published in 1962, Robert Lichtenstein's translation of King Rother made the medieval epic available to English-speaking audiences for the first time. His translation in rhymed couplets seeks to convey the humorous spirit of the original and an introduction places the poem in its historical context.

From Madame de Stael, Dumas, and Taine, to Giraudoux, Adamov, Ionesco, and the existentialists, this study provides a fascinating account of the progress of Kleist's reception in France from complete rejection in 1807 to spectacular critical and public acclaim in the 1950s. Richardson argues that Kleist's success in France disproves the traditional idea that his work is "unexportable" and shows the conditions that led to his positive reception...

Twenty essays on medieval history, literature and language published in honor of John G. Kunstmann and his work on German literature in the Middle Ages. The contributors are Berthold Ullman, Urban Tigner Holmes, Edwin Zeydel, George Fenwick Jones, Wayland Hand, Robert Linker, John Keller, Carl Bayerschmidt, Helmut Motekat, Stuart Gallacher, John Fisher, Astrik Gabriel, James Engel, Eli Sobel, Lewis Spitz, Theodore Silverstein, Murray Cowie, Ma...

Originally published in celebration of Hermann Hesse's 80th birthday, this highly documented study, practical handbook, and reference work for Hesse scholarship is presented in three parts. Mileck gives a short biography of Hesse's life and a general characterization of his writing, followed by a critical history of Hesse scholarship through 1957 organized chronologically, categorically and thematically. Finally he presents an exhaustive bibli...

Wilhelm Dilthey (1833-1911), the great German humanist, remained a towering figure in Europe long into the twentieth century. Published in 1954, this translation by Stephen A. Emery and William T. Emery was the first English translation of Dilthey's Das Wesen der Philosophie (1907) as well as his first work to be translated completely into English, making Dilthey accessible to scholars of the English-speaking world.

This book examines the interplay of history, textuality, dramaturgy, and politics in the school dramas of Daniel Casper von Lohenstein (1635-1683). The plays are based on well-known episodes from classical Roman history and were staged in Breslau by students at two all-male humanistic gymnasia. Organized exclusively around stories of such female protagonists as Agrippina, Cleopatra, Epicharis, and Sophonisbe, these productions required that th...

This study focuses on the striking relationship between one of the most important and enigmatic poets of the twentieth century and the art and artists of the Art Nouveau. The author explores the depth of the relationship itself, examines Rilke's activities as an art critic, and analyzes the profound influence of Art Nouveau upon the themes, motifs, and structure of the poet's early works.

Critics have called Else Lasker-Schuler the greatest of all German women poets and one of the finest Jewish poets. This large and representative selection of translations by Robert P. Newton, supplemented by a biographical and critical introduction and a selected bibliography, was the first substantial presentation of her works in English at its original publication in 1982.

Jill Kowalik reevaluates J. J. Breitinger's Critische Dichtkunst (1740) with regard to a heretofore neglected aspect of aesthetics in the early eighteenth century, namely how poesis and historiography could increasingly come to resemble each other in their assumptions, purposes, and methods of representation. The central argument states that historians of this period began to utilize the concept of historical perspectivism only after its devel...

In this 1954 study of poetic realism and the Novelle form, Silz examines nine Novellen by Brentano, Arnim, Droste-Hulshoff, Stifter, Grillsparzer, Keller, Meyer, Storm and Hauptmann. Through his textual interpretation of each of these works Silz draws the threads of the transition from Romanticism to Naturalism as well as the development of the Novelle form.

This first complete modern edition of Peter Schott's Lucubraciunculae opened a treasure-trove of information to students of German literature, historians of Humanism, folklorists, and theologians on its publication in 1963. Also included in this volume are the De mensirus syllabarum epithoma and a letter in German to Schott's sister Anna. Schott's works shed light on social, historical and religious questions of the time and are valuable docum...

This correspondence is a firsthand record of a literary and personal friendship that spanned the years 1906 to 1931. It is significant for both its insights into the lives and works of these two important writers and for its information concerning the eventful time in which they lived. The previously unpublished aphorisms of Auernheimer serve as a means of introducing a writer who had long been unjustly neglected. The aphorisms demonstrate the...

German Poetic Realists drew on the Romantic motif of the Double in a manner consistent with the central dictum of Poetic Realism as articulated by its chief theorists, Julian Schmidt and Otto Ludwig. Schmidt and Ludwig argued that contemporary authors should, above all, strive for psychological and aesthetic totality in their narrative representations, turning away from the Romantic fantastic but also avoiding the fragmentary approach to the p...

Literary Paternity, Literary Friendship: Essays in Honor of Stanley Corngold

The novelty of this study lies in its techniques for understanding the deliberate narrative contradictions and elusive parody in Goethe's work. Interpretation of the entire Unterhaltungen, including the Marchen, establishes Goethe's principles of cyclical composition. By pursuing the elaboration of these principles in the Wanderjahre--the undependable narrator, multiple perspectives, and parody of popular eighteenth-century figures--the author...

In this thorough study of the figure of the hermit in the works of German writers Fitzell analyzes characters in works by Lessing, Goethe, Klinger, Hoffmann, Wieland, Eichendorff and others. The author argues that the figure of the hermit characterizes the quality of inwardness and withdrawal from society characteristic of German literature, and shows how this quality was represented in the age of Goethe.

Originally published in 1960, this bibliography with more than five thousand items provided an indispensable tool for those interested in the German expressionist plays. The volume contains a general bibliography on German expressionistic drama and as well as sixteen leading German playwrights: Barlach, Brecht, Bronnen, Goering, Hasenclever, Jahnn, Johst, Kaiser, Kokoschka, Kornfeld, Rubiner, Sorge, Sternheim, Toller, Unruh, and Werfel.