13 Ergebnisse.

Weaving as Open Source. The Spanish artist Teresa Lanceta, was born in Barcelona in 1951, and trained in Madrid. This book includes reproductions of an extensive body of her work, woven pieces, canvases, paintings and drawings which, together with Lancetas writings and impressions of her time in the Raval and of the long periods she spent in Morocco, reveal the artists many facets and her career from the 1970s to the present day.

I Am All the Selves that I Have Been presents a number of aspects that are central to Fina Miralles' oeuvre: the relationship between nature and artifice, the language we use to express ourselves and the relations of power in our everyday lives.Exhibition catalogue at Macba - Barcelona / November 5th, 2020 to April 5th, 2021

Palle Nielsen's vision on art as an art criticism

The publication is an introduction to Takis (Panagiotis Vassilakis), key figure of Europe's post-war avant-garde and pioneer in new art forms using magnetism, light and sound. Guy Brett (critic and independent curator), contextualises Takis work in avant-garde art circles in London and Paris.

This publication explores the work of the acclaimed Swiss-American artist Christian Marclay (1955), presenting a selection of works focusing on his sound compositions, from graphic scores to video installations. In this artist's book, he shows the relationship between sound and vision, exploring the ways that sound can be made visually manifest.

Plantea problemas al género de retrospectiva, esto es, la musealización de una obra dentro del marco de la lógica institucional y en el contexto de su propia historia.

Ray Johnson (1927-1995) had an ambivalent relationship with the art world. This book focuses on the New York collages from Johnson's first period and his Mail Art.

Keine Beschreibung.

Contains works, such as: "Ikon", which presents a solo exhibition of work by Spanish artist Ignasi Aballi, "People" consisting of shoe scuff marks on the wall, suggests a queue of waiting individuals, now moved on, and, "Waste" that comprises a number of opened cans of white paint, informally arranged on the floor.

ART / History / Contemporary (1945-)

This exhibition catalogue has been published with an essay by Mark Westmoreland about Akram Zaatari's artistic practice and his relationship with the AIF, a conversation between Chad Elias and Akram Zaatari, and a selection of annotated and illustrated collection entries from the archive by Ian B. Larson.

Keine Beschreibung.

Focuses on photography as a tool for a fresh visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man, the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War.