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El Tío Sam con las manos cortadas, la cabeza de la Estatua de la Libertad atravesada por una bayoneta, un basurero decorado con las barras y estrellas: estas son algunas de las llamativas imágenes con las que la propaganda cubana ha representado a Estados Unidos durante el último medio siglo y más. Desde la llegada al poder de Fidel Castro, cientos de vallas publicitarias y carteles han aludido al enemigo de la revolución: el gobierno de Estad...

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Published on the occasion of the exhibition "Grupo Proceso Pentaagono: politics of the intervention, 1969-1976-2015" (September 26, 2015 to February 21, 2016) MUAC, Museo Universitario Arte Contemporaaneo, UNAM, Universidad Nacional Autaonoma de Maexico, Mexico City"--Facing Title Page.

The iconic images of Che Guevara and Coca-Cola--representations of revolution and capitalism, respectively--both play substantial roles in the Latin American landscape. The photographs in this publication, taken by Swiss photographer Luc Chessex (born 1936) from 1960 to 1975, juxtapose these conflicting icons.

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Born in 1957 in Gamagori, in the Japanese prefecture of Aichi, Masao Yamamoto is a photographer who began his art studies as an oil painter under the supervision of Goro Saito in his hometown. Masao subsequently discovered that photography was the ideal medium for the theme that most interested him: images with the ability to evoke memories. Small Things in Silence offers a perspective on twenty years in the career of one of Japan's most impor...

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For Artemio Rodríguez, the art of printmaking is an everyday activity in which form and idea, personal experience and historical concept harmoniously participate. His work bespeaks the mestizo artist who fuses the American indigenous spirit with European aesthetic traditions. This book is a testimony to his prodigious talent for creating images of incredible refinement and to his exceptional dynamism and energy.

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Chilean photographer Carlos Rivera Segovia (born 1956) and Mexican photographer Pablo Ortíz Monasterio (born 1952) contribute black-and-white and color images, respectively, to this collaborative portrait of the emblematic Chilean port Valparaíso. Their work is inspired by Sergio Larraín's images of Valparaíso from the 1950s and '60s.

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Pablo López Luz is the first book by this Mexican photographer. In 63 photographs taken over the last five years, Pablo López Luz presents an assortment of landscapes that include images of Mexico City, Tijuana, Acapulco, and Chiapas, as well as a series of photos taken in Hong Kong. Most of these photographs are bird's-eye views, landscapes and cityscapes which propose a vision of reality as a stage. Presented and distributed by Editorial RM,...

Capitolio is a cinematic journey through the shadows of Caracas, Venezuela, during "revolution." In the tradition of William Klein's New York and Robert Frank's The Americans, Magnum photographer Christopher Anderson creates an emotional portrait of a time and a place that is ripping apart at the seams. Rather than a didactic or journalistic approach, Anderson presents a poetic vision of a place where the violent and sensual coexist. The word ...

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Erik Kessels' multivolume In Almost Every Picture has long been a coveted and revered classic of vernacular photography. In Erik Kessels: Image Tsunami the Dutch art director has turned his attention to the abundance of images available for finding on the Internet, shared in their millions on websites like Flickr. In a world where everyone produces and edits photography, where, as Kessels says, "the average kid today gets photographed more tha...

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