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On June 4th, 2016, poet Jack Foleys wife, Adelle Foley, who was (as she told her doctor) never sick, was diagnosed with stomach cancer, she died on June 27th. They had been married for nearly fifty-five years and were an exceptionally close couple. Adelle was also a poet and, like Jack, had published widely. He wrote about her, How can there be sunlight and you not in it? In the months after her death, with extraordinary courage and directness...

The sapient roaches of our planetary future, when they seek to understand the sickening dismay, abysmal grief and goofy absurdity of the Anthropocene in Donald Trumps America, will reach for their dog-eared (or bug-horned) copies of Aaron Anstetts Please State the Nature of Your Emergency. In these impossibly crystalline poems, Anstett has distilled from the ironic bile of our vast, unbearable tragedy the steely essence of our predicament.

Sean Kilpatrick may be the P.G. Wodehouse of Hell. The blistering anger of his deliciously delirious rants delivers more cathartic mirth than provocation, and the ever-present poetic invention and subtly tidy thematic organization hiding in plain sight behind the ultra-violence inflicted on reader, characters, language and meaning suggest, in the end, a graceful and always musical accommodation to form. In this faux sequel to a Steven Seagal m...

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Fiction. Art. Illustrated by Royce M. Becker. Charles Holdefer, author of DICK CHENEY IN SHORTS, The Contractor, and Back in the Game, has here uncovered, with abundant aplomb and loads of literary-archaeological legerdemain, a crucial long-lost manuscript by legendary magician Blast. For years Blast has been an ongoing source of wonder on five continents, for crowned heads, international celebrities and ordinary folk alike. His record for the...

This series of thirty tiny, enigmatic stories and essays ... is a text, or so it itself seems to claim in its opening lines, that consists solely of errors."--Back cover.

The uncanny obstinacy of Colin James poems in Resisting Probability lingers like an elusive aftertaste, a sense of raw, stunted assertion and material finality both incomplete and unchangeable. This is we feel how things are, as we settle into the Jamesian groove: whimsical, laconic, gnomic, with a strange resilience of their own no matter how gnarled in form. What feels most solid, though, may not be things themselves, or what is said, but th...

Fiction. Women's Studies. Laura Davenport's poetic and harrowing AN OCCASIONAL HISTORY investigates how language and a person's place within it come to be defined in the context of an abusive relationship--one whose terrible violence is ever so gradually revealed, as layers of language and forgetting are progressively peeled away. Through five sections of differing form, in which romance novels, the OED, and etymological histories play promine...