6 Ergebnisse.

From the opening lines the reader is implicated by the Comashopped Operative : "it's a tripwire / your face reversed...you study my fears in this blistered and extended universal effigy." AG Davis leads you, the reader, on an orphic journey into the Inferno of the id and/or the body, in unpredictable, ever-mutating form - and on into realms more primal yet, those charted only darkly by Artaud and Bataille and Hieronymus Bosch. Groping throu...

This poem, this act of fragmented writing, isn't located anywhere particular, but within itself. A scrolling well-crafted stream of consciousness. It accumulates and disperses, accumulates and disperses then bifurcates and accumulates further. Surprise. You can juxtapose anything with anything else and find resolution. Word-filled bubbles emerge, rise and pop all around your reading. Sheila's a phrase collagist pushing opposing forces together...

Andrew Brenza's 'I Wake Up Each Morning Covered in Dust' is an abstract verse memoir of the post-apocalypse. In it, lyric poetry is reduced to vectorized fields of punctuation, words collapse on each other to form corroded textual rivets, and concrete poems melt in meta-commentary to expose the wasteland of the human spirit. Yet, among these aimless ruins of textual matter is a representation of the persistence of human consciousness, the will...

The fifth volume of the flagship periodical of mOnocle-Lash Anti-Press contains nearly 90 pages jam-packed with the most underground, anti-normative, formally exploratory, epistemologically challenging, anti-institutional, non-commercial literature and art of the (mostly) contemporary (mostly) anglophone avant-garde. Not an inch of page-space is wasted in this chaotic melange of hundreds of pieces of otherstream writing, visual poetry, collage...

Keine Beschreibung.

Rêvenance is dedicated to the forgotten or untold histories of 19th Century avant-garde and dissenting countercultures. It promotes history practiced as game, activism, trans-generational collaboration, communal memory, which refuses to describe history as finished: a committed historiography, which does not stand apart from its object: intellectual and precise, yet ludic and multi-form, one moment manifest as an essay, the next as a poem. A h...