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A contemporary expression of Holiness deriving from the background of Volumes 1 and 2.

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Humor, fantasy, love, adventure, danger, courage, death . . . The stories in this book were picked by young adultsHere is a brilliant anthology. The editor presented students with the most popular stories published in the last several years. Then he said: Choose the best, choose the ones that grip you in a vise of excitement and won't let you go, the ones that leave you with a sense of mystery and strangeness, the ones that rock you with laugh...

Young Tim Meeker is caught between his brother's patriotism and his father's Tory sympathies in this story of the American Revolution.

Humorous stories that are long-time favorites.

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Complete reproductions of the 12 masterful quartets (six each) of Opp. 20 and 33 -- in the reliable Eulenburg edition.

This is a biography of Frantz Fanon. It presents an absorbing and careful ac­ count of several impressive themes. First is the review and assessment of Fanon's life. Second is a theory of psychology, by the author, which will aug­ ment and prove useful to theorists and practitioners who focus on Third World people. And lastly there is a broad and systematic integration of many areas of scholarship including philosophy, anthropology, political ...

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This is the story of how the biggest and most loved dog in America got to be so big!

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For the medical, veterinary, agriculture, forensic and museum entomologist it will be an invaluable tool.' Antenna, 11 (1987) This real and fundamental contribution to our knowledge of the Muscidae will find its place both in the libraries of academic institutions as well as in the laboratories of economic entomology. It will also become an indispensible item on the bookshelves of all serious students of Diptera.' Acta Entomologica Bohemoslova...

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Cuando en 1890 EL Lippincott¿s Magazine inició la publicación de la presente novela se desató sobre ella y sobre la cabeza del artista una de las más encendidas polémicas entabladas por la crítica inglesa de fin de siglo. Respondiendo a las acusaciones, Wilde escribiría orgullosamente: ¿Cuando el público dice que una obra es ininteligible, quiere decir que el artista ha dicho o hecho una cosa bella que es nueva. cuando dice que una obra es inm...