In "My Mother's House" and "Sido, " Colette plays fictional variations on the themes of childhood, family, and, above all, her mother. Vividly alive, fond of cities, music, theater, and books, Sido devoted herself to her village, Saint-Saveur, to her garden, with its inhabitants and its animals, and, especially, to her children, particularly her youngest, whom she called Minet-Cheri. Unlike "Gigi" and "Cheri, " which focus largely on sexual lo...
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