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These adapted plays, each between 5 and 25 minutes long, will instill a love of Shakespeare and boost literacy skills! Background information provided to enrich the plays themselves, a program for easy staging and costumes are included. Character roles are written at easy, moderate, and challenging reading levels. Arranged in two sections, the teacher section includes ideas for presenting, discussing, and working with the plays in the book. Th...

Here are 116 engaging and detailed illustrations that will inspire students' creative writing. The images vary in complexity so that students with a wide range of critical thinking and writing abilities may engage meaningfully with them. They can be used to augment any writing program, or may be used as a meaningful "filler" activity when students have spare time. These ready-to-use worksheets are ideal for both at-home and in-class use. The...

These adapted plays, each between 5 and 25 minutes long, will instill a love of Shakespeare and boost literacy skills! Background information provided to enrich the plays themselves, a program for easy staging and costumes are included. Character roles are written at easy, moderate, and challenging reading levels. Arranged in two sections, the teacher section includes ideas for presenting, discussing, and working with the plays in the book. Th...

This volume is part of a two volume set: ISBN 9781407358161 (Volume I), ISBN 9781407358178 (Volume II), ISBN 9781841717104 (Set of both volumes). .

Freaks! Monsters! Girls! The art of illustrator David Hartman. Now back in print. David Hartman is a director and producer of cartoons for film and television, however, his real passion is monsters. Dark, twisted and humorous works of the macabre. 96 pages in full color with a forward written by Rob Zombie. "Dave Hartman's artwork is like a school of Japanese piranha blasted from a photon canon into a blood red sky...he is kick ass." Jack bl...

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This volume is part of a two volume set: ISBN 9781407358161 (Volume I), ISBN 9781407358178 (Volume II), ISBN 9781841717104 (Set of both volumes).

A detailed investigation into the Neolithisation of the inhabitants of the Gunung Sewu ('Thousand Hills') area of the Indonesian island of Java.

Tecnología y tipología de la piedra tallada

Since the rediscovery of the Canary Islands in the early 14th century, Europeans and Canarians alike have been trying to solve the question of the early colonisation of the islands.

The city of Mendoza in western Argentina, situated at the foot of the Andes, was founded in 1561. From the end of the 16th century and throughout the 17th century a slow process of colonisation to the city took place which included a number of different religious orders including the Jesuits.

This volume presents research that attempts to examine the potential advantages of the Levallois reduction theory that led to its long history of use.

The aim of this study is to infer dietary texture from dental microwear during the Natufian hunter-gatherer to pre-pottery Neolithic agricultural development in northern Israel. Microwear patterns were recorded from sixty skeletons form eight sites.

This volume looks at the development of social archaeology in Peru over the last century. The author lays aside scientific advances in archaeological interpretation, and highlights the influence of economic, social and political factors in how archaeology, as a discipline, has changed in Peru.

Friar Dolcino, the founder of a society called the Apostelic Bretheren in 1260, was condemned as a treacherous heretic' and was persecuted by the Catholic Church for his heretical teachings and writings during the early 14th century, most notably his claim that authority had passed from the Roman Church to the Bretheren.

17 papers from the Symposium on the Hallstatt textiles, held in Hallsatt, Upper Austria, in 2004.

The Andean civilisations grew in an isolated fashion, with almost no influence from the rest of the world or indeed from further north in the Americas. The various Andean states and empires all came to express themselves in highly original and different art styles, not least the Moche.

In this study the author seeks to deconstruct any preconceived ideas we may have of the southwest part of Arcadia and rebuilds a picture of the mental and religious landscape' during the archaic and classical periods.

The presence of unusual, grotesque and rude carvings on ecclesiastical buildings have been explained in a number of ways, from reflecting the warped sense of humour of the masons, to a purely ornamental or marginal function.

The purpose of this study is to examine the extent to which artefacts depicted in the Bayeux Tapestry reflect those of the contemporary world of the eleventh century, comparing them with archaeological evidence on the one hand and with early medieval artistic tradition on the other.