1619 Ergebnisse - Zeige 61 von 80.

chuan tong de fa zhan guan he fa zhan mo shi dao zhi de quan qiu sheng tai huan jing de e hua zai 20 shi ji 70 nian dai yin qi le ren lei she hui dui ke chi xu fa zhan si xiang de zhong shi sui hou ke chi xu fa zhan bei ti chu bing you le jiao wei ming que de gai nian 1992 nian lian he guo huan jing yu fa zhan da hui de zhao kai you li de tui dong le shi jie he zhong guo de ke chi xu fa zhan yan jiu dan shi quan qiu he zhong guo sheng tai huan...

an li yan jiu you qi fang fa dan shi an li yan jiu ben shen you bu shi fang fa an li yan jiu bu shi yao ba yan jiu xing shi fu za hua er shi yao ba yan jiu wen ti jian ming hua ji yu guan li shi jian lai gong xian yan jiu wen ti shi an li yan jiu zhi yu guan li xue de yi yi he jia zhi ben shu di yi zhang an li yan jiu de jia zhi jiang wei rao an li yan jiu dui guan li zhong da wen ti de gong xian lai dui ci zuo jin yi bu chan ming an li yan ji...

Verräter oder Held. Was trieb Edward Snowden dazu, geheime NSA-Dokumente zu veröffentlichen? War ihm bewusst, welchen Preis er dafür zahlen würde? Oscar®-Preisträger Oliver Stone bringt mit SNOWDEN das Leben des kontrovers diskutierten Whistleblowers Edwa

The young man seated on the bench reads his paper and chats with his wife about domestic matters and their daughter. As the conversation becomes more strained and personal, we realize the bench is in the courtyard of an institution where the young wife is an inmate, and the husband a visitor.

Are You Sure? is a case of shifting realities. How much is happening, how much isn't? Does David want to kill Caroline? Does Charlie want to kill David? Does Caroline want to kill everyone?

A beautiful, romantic drama of love, fidelity, treachery, and poetry presented in the style of traditional Chinese theatre.

Two Black scavengers emerge from the underbrush loaded with their total possessions: the makings of a shack and a battery of pots and pans, but nothing to cook in them.

Hume Cronyn and Jessica Tandy starred on Broadway in this moving chronicle of a husband and wife, from their wedding night in 1890 until they leave the house that has been their home, thirty-five years later. They fret and quarrel, laugh, cry, and make love in the same room in which they began their married life. Standing throughout the evening is the old fourposter, silent witness to all.

This classic farce done in thirty scenes with no chronological sequence concerns a doctor of philosophy who has a wife, a mistress, and a secretary whose beautiful legs make it difficult for him to concentrate when she is taking dictation.

Sir Loddon, MP, is bringing a libel suit against a London newspaper that printed a story claiming he was neither a baronet nor a Loddon.

Sue and her committee get together to plan the church congregational dinner-meeting. While she tries to guide the discussion - often with the aid of a whistle to restore order - Amy prattles, Edith complains, Doris preaches, and Mary amiably agrees with just about everything.

In this riotous showbiz comedy, a producer, his secretary, and associates try to re-write an epic drama by a neophyte playwright into a broad farce.

This delightful spoof of the classic horror tale is an unparalleled romp from start to finish.

A highly-theatrical but faithful adaptation of Edith Wharton's romantic and tragic short novel of rural Massachusetts life around the turn of the 20th century.

Mrs. Ellis, the English lady who caters small weddings and funeral teas, says she usually serves boiled ham, "but seeing as 'ow this is my first cremation, I didn't think boiled 'am would be appropriate." As the ladies sip their tea, it becomes apparent that someone has misplaced the urn with dear Uncle Jacob's ashes.

The story of a thirty-nine-year-old songwriter who is making a comeback, throwing out "the crap of the past" - her commercial sex kitten image - in order to forge a new identity, writing songs that express how she really feels and who she really is. Her manager (a former lover) is appalled. He likes her the way she used to be and says he can't sell this "new woman." They battle it out to a bittersweet, triumphant conclusion.

Dobbitt has been posted to a dismal, distant place, a grim industrial compound that uncomfortably resembles a prison where his quarters have bunks (one freezing cold and the other boiling hot), a table, and an ancient typewriter.

Timely and resonant, The Argument chronicles the arc of a relationship between a man and a woman with bracing humor, passion, and fury. What happens when two people who say they love each other fight over something so precious that they reach a point of no return?

A bit of madness is loose in the Flinder house.

In story theatre style this play tells of the fateful meeting between Dwayne Hoover, Pontiac dealer, and Kilgore Trout, Vonnegut's alter ego, in Midland City, where Dwayne bites off Trout's finger.