Excerpt from A Treasury of English LiteratureBut, beyond these aims, it is hoped that the present book may fill a place as an English anthology representing more fully than has yet been attempted in a brief selection, the course of our literature (with the exception of the Drama) from the earliest time to the eighteenth century, and a special feature has been made of Old and Middle English writings before the time of Chaucer. The Treasury forms a complete work in it self and can be used apart from its connexion with the Primer of English Literature.No extracts from the Drama proper have been included, except in one case as an example of Marlowe's mighty line. It seems almost impossible, from the very nature of that form of art, to represent it at all justly in brief passages. Moreover, the work of selection from our dramatic literature is being done by others at the present time, to say nothing of the classic volume of Elizabethan specimens given to us by Charles Lamb.The selections in this Treasury end with the poetry of Burns, though originally it was intended to bring them up to 1832, where the Primer itself ends. It was found, however, that this would make the book too large for its purpose, without adding much to its usefulness, since there are already many good selections from the later authors. The writers included and the order and proportionate importance assigned to them follow, as a rule, the arrangement of the Primer, though now and then an author has been represented who is not named there, or, if named, is only glanced at without distinctive criticism.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.