Michael Mc Aloran's 'All Stepped/ Undone' is a canvas strewn with cut-up compositions like dismembered limbs that structure foreboding and challenging pieces of poetry. It explores realms such as the negation of being, the catharsis of existence and a nothing that is embraced via the onslaught of flesh and bone that is the ennui of I. It's almost Baudelaire's spleen in autopsy, dissected with a Bataillean scalpel. Here, the language is vitriolic, and mosaic-like, a smashed stained glass window of a church - all beliefs of man refuted except for the excavation of oneself from a world aborted." Craig Podmore