Excerpt from Chinese Porcelain, Vol. 2

In the sixteenth century porcelain was so highly esteemed in Europe that many pieces were mounted in silver, and it is reasonable to suppose that the best specimens were selected for this honour. N ow, except, perhaps, where historical value attaches, as in the case of the Trenchard and Warham bowls, the mountings, as samples of early silver work, are of more value than the china they were originally designed to protect and ornament. The reason for this being that much finer porcelain has since come to hand, while to give value, artistic merit is necessary, as well as mere antiquity, and in the former qualification the Ming productions have been greatly distanced by the Tsing.

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