This ground-breaking anthology brings together the most influential international scholars on the subject, providing a detailed, diverse yet accessible perspective on music in the cinema. The book is divided into three parts: History and Contexts, Music in Classical Cinema, and Music in Post-Classical Cinema. As well as an introductory chapter providing an historical overview, the book embraces topics as diverse as Bernard Herrmann's music for Orson Welles' Citizen Kane, the use of discs to accompany silent films, and the music for Quentin Tarantino's Pulp Fiction.