This provocative book argues that Scottish writing since 1960 has developed in tandem with the ideas of such continental critical-theorists as Gilles Deleuze and Paul Virilio. Scottish writers are examined within a wide theoretical context and include Muriel Spark, Edwin Morgan, Ian Hamilton Finlay, James Kelman, Alexander Trocchi, Janice Galloway, Alan Warner, Irvine Welsh, Alan Riach, and Pat Kane., reviewing a previous edition or volume