In Golden Ages,  Jeremiah Lockwood opens a window into the closed circle of Orthodox cantors seeking personal fulfillment and communal connection through a sometimes tense revival of classic cantorial recordings. His deep involvement with his collaborators enriches a study that has implications beyond Jewish life to broader issues of contemporary American spiritual expression and the ethnomusicology of religion."—Mark Slobin, author of Chosen Voices: The Story of the American Cantorate "Lockwood has an unparalleled ear for the intermingled dynamics of loss, creativity, and continuity. His special domain is Jews and their music, but his study speaks clearly to larger processes of cultural rescue and their limits."—Jonathan Boyarin, author of Yeshiva Days: Learning on the Lower East Side