Imperial Projections is a pioneering exploration of the intersection of early film history, the study of popular visual culture, and German colonial history in the years before the First World War . . . By showing that colonial images could, and did, mean different things to different people, Imperial Projections offers a refreshing rethinking of monolithic terms such as 'the colonial gaze' or 'the imperialist imagination.'" · Christian Rogowski, Amherst College "[This book] is of exceptional academic quality, impeccably researched, and presented with great thoroughness. It appears to me that it is the definitive work of research on early German colonial cinema to date, and probably destined to remain so." · Francis Gooding, Colonial Film: Moving Images of British Empire The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film industry, films of the colonies were welcomed by organizations such as the Deutsche Kolonialgesellschaft (German Colonial Society). The films triggered patriotic feelings but also addressed the audience as travelers, explorers, wildlife protectionists, and participants in unique cultural events. This book is the first in-depth analysis of colonial filmmaking in the Wilhelmine Era. Wolfgang Fuhrmann is Senior Assistant at the University of Zurich's Institute for Cinema Studies. From 2005-2008 he was Director of the DFG Research Project "Film and Ethnography in Germany 1900-1930, " and has held teaching positions in Germany, Switzerland, and the Americas. He has published on German colonial cinema, early ethnographic filmmaking, historical film reception, and transnational film history.