In her art, Ines Doujak (b. 1959) examines complex interrelationships and goes directly to the heart of explosive issues. From a queer-feminist perspective, she unsparingly analyses the mechanisms and ramifications of the neoliberal market economy and the relationship between production and consumption, capital and exploitation, colonialism and neocolonial rule, racism and gender roles.

For the first time Nevertheless provides an overview of Doujak's artistic oeuvre from the last thirty years, encompassing a multitude of different media. The extensive picture section is supplemented by autobiographical fragments and quotations relating to the pictures.