Excerpt from King Alfred's Old English Version of St. Augustine's Soliloquies: Edited With Introduction, Notes, and GlossaryIN preparing this edition for use in college classes, many problems have arisen the best solution of which I can hardly hope to have reached. I leave the work to stand on whatever merits it may have.It should be noted that the facsimiles of the manuscript are reduced of the linear dimensions. The first is of folio 4 ¿. Of text), the second, of folio 29a (37. 13 In the absence of any good modern English version of this work, the rather copious translations, found in the Intro duction, will perhaps be pardoned. The construction of the text is somewhat of a compromise. I have generally held to the manuscript readings, but where a form was meaning less, or a scribal error was evident, I have not hesitated' to emend. When such emendations have been made, the manuscript readings have always been given in the foot notes. For the paragraphing, capitalization, punctuation, and quantity-marks, I am responsible. The Notes attempt to indicate the relation of the Old English version to its Latin sources, otherwise they are merely suggestive. The Glossary is intended to be exhaustive, except for a few oft-recurring forms.My thanks are due to Mr. Andrew Keogh for looking over the proof of the Introduction, and to my wife for verifying the line-references of the Glossary.To Professor Wm. H. Hulme of Western Reserve Uni versity I am indebted for the collations of the manuscript.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.