Excerpt from Laurence SterneThe materials for a biography of Sterne are by no means abundant. Of the earlier years of his life the only exist ing record is that preserved in the brief autobiographical memoir which, a few months before his death, be com posed, in the usual quaint staccato style of his familiar cer respondence, for the benefit Of his daughter. Of his child hood, of his school-days, of his life at Cambridge, and in his Yorkshire Vicarage, of his whole history, in fact, up to the age of forty-six, we know nothing more than he has there jetted down. He attained that age in the year 1750, and at this date begins that series of his Letters, from which, for those who have the patience to sort them out of the chronological confusion in which his daughter and editress involved them, there is, no doubt, a good deal to be learnt. These letters, however, which extend down to 1768, the year of the writer's death, contain pretty nearly all the contemporary material that we have to depend on. Freely as Sterne mixed in the best literary society, there is singularly little to be gathered about him, even in the way of chance allusion and anecdote, from the memoirs and am of his time. Of the many friends who would have been competent to write his biography while the facts were yet fresh, but one, John Wilkes, ever entertained - if he did seriously entertain - the idea of performing this pious work, and he, in spite of the entreaties of Sterne's widow.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.