These are a series of 'generative' verses on the themes of willing oneself through urban landscapes. They are (supposedly the first such thing!) to be read and or performed aloud in an infrared point cloud so that the body's movement through a quadrant will playback what was said seconds or minutes before thus distorting time, simulation, and archive. This distortion of time through past and present is further sectioned into Aristotelian quadrants that negate, obverse, or contradict what was perform before. Another interface that these verse poems are meant to interact with is the neuro-sensor that can distort time to 'future' recordings or past declamations of the verse. All of these gimmicks and prosthesis alternate between the simplicity of just 'listening' to the performance (or reading on 'obsolete' paper!) or becoming aware of the intended or unintended formal complexity of human and machine performing with the intended or unintended chance and effect