Source: Wikipedia. Commentary (plays not included). Pages: 56. Chapters: The Resistible Rise of Arturo Ui, The Threepenny Opera, Rise and Fall of the City of Mahagonny, Mother Courage and Her Children, The Caucasian Chalk Circle, The Decision, The Good Person of Szechwan, Happy End, The Seven Deadly Sins, The Life of Edward II of England, In the Jungle of Cities, Downfall of the Egotist Johann Fatzer, Life of Galileo, The Baden-Baden Lesson on Consent, Hangmen Also Die!, Drums in the Night, Round Heads and Pointed Heads, Fear and Misery of the Third Reich, Mr Puntila and his Man Matti, Mahagonny-Songspiel, The Judith of Shimoda, Baal, Kuhle Wampe, Man Equals Man, Turandot, Saint Joan of the Stockyards, The Mother, Der Jasager, Trumpets and Drums, The Exception and the Rule, The Flight across the Ocean, Driving Out a Devil, The Trial of Joan of Arc of Proven, 1431, Señora Carrar's Rifles, Coriolanus, The Visions of Simone Machard, Lux in Tenebris, Die Verurteilung des Lukullus, The Days of the Commune, The Trial of Lucullus, Schweik in the Second World War, The Horatians and the Curiatians, The Elephant Calf, Report from Herrnburg, A Respectable Wedding, The Duchess of Malfi, Don Juan, Der Neinsager, The Tutor, The Beggar, The Catch. Excerpt: Rise and Fall of the City of Mahagonny () is a political-satirical opera composed by Kurt Weill to a German libretto by Bertolt Brecht. It was first performed in Leipzig on 9 March 1930. The libretto was mainly written in early 1927 and the music was finished in the spring of 1929, although both text and music were to be partly revised by the authors later. An early by-product, however, was the Mahagonny-Songspiel, sometimes known as Das kleine Mahagonny, a concert work for voices and small orchestra commissioned by the Deutsche Kammermusik Festival in Baden-Baden and premiered there on 18 July 1927. The ten numbers, which include the "Alabama Song" and "Benares Song", were duly incorporated into the full opera. The opera had its premiere in Leipzig in March 1930 and played in Berlin in December of the following year. The opera was banned by the Nazis in 1933 and did not have a significant production until the 1960s. Weill's score uses a number of styles, including rag-time, jazz and formal counterpoint, notably in the "Alabama Song" (covered by multiple artists, notably The Doors and David Bowie). The lyrics for the "Alabama Song" and another song, the "Benares Song" are in English (albeit specifically idiosyncratic English) and are performed in that language even when the opera is performed in its original (German) language. It has played in opera houses around the world. Never achieving the popularity of Weill and Brecht's The Threepenny Opera, Mahagonny is still considered a work of stature with a haunting score. Herbert Lindenberger in his book Opera in History, for example, views Mahagonny alongside Schoenberg's Moses und Aron as indicative of the two poles of modernist opera. Following the Leipzig premiere, the opera was presented in Berlin in December 1931 at the Theater am Schiffbauerdamm conducted by Alexander von Zemlinsky with Lotte Lenya as Jenny, Trude Hesterberg as Begbick, and Harald Paulsen as Jimmy. Another production was presented in January 1934