Canto de las Moscas (Song of the Flies), by the late Colombian poet Maria Mercedes Carranza, was published for the first time in 1997, following a decade marked by extremely high levels of violence in Colombia. At this point the country had already endured nearly half a century of armed struggle between government and rebel groups, and had more recently experienced the emergence of paramilitary forces and warring drug lords. Carranza wrote these twenty-four poems, each bearing the name of a town or city that had been the site of large-scale violence, as a sort of chronicle and commemoration of the tragedies the people endured. The titles reflect a contradiction characteristic of Colombian reality: the beautifully-musical and whimsical place-names stand in cruel contrast to the events that marked them as massacre sites. Written in a form similar to Japanese haiku but not adhering to its strict line-and-syllable counts, the poems are short and spare.