Space Administration plunders NASA's voice transcription of the first day of the Apollo 11 moon mission, uncovering a book of conceptual poetry that reimagines the erasure process as "spacecraft" (which is to say, the "crafting of space"). The book envisions its writing process as a venture of space exploration. Readers encounter a void populated by columns of numerical time-codes and by constellations of words. These textual "star-charts" evoke the materiality of the page's empty space.