Whether set adrift in a marsh or canal, traversing battlefields or beaches, or wading the disorienting streams of adolescence and male identity, readers of Surface Fugue will engage with questioning poignancy and imagination the layers of history stifled by modernity. Plunging us through the ambiguous surfaces of time into the proximities of water-borne violence, predation and occupation, Sneeden maintains perspective and scale with timely anchorages in the coves of elegy and personal memory. Vivid and experiential, these poems deliver reverie and threat with equal power, as the poet's description of refraction suggests, "...a dipping oar /is able to inhabit both worlds.