Garrick Davis's "Terminal Diagrams" may have been inspired by the illustrated maps in airport lounges, or perhaps they are the blueprints of the Apocalypse, with their subjects and objects representing the bitter fruits of either some future nightmare or the present world. Here, the art of poetry has been mechanized just as the world has been mechanized. In poem after poem, he examines the artistic possibilities of the machine, and its alterations of human experience, with a modern spirit that--as Baudelaire defined it--has embraced "the sublimity and monstrousness of something new.