Excerpt from The Art of the Precursors: A Study in the History of Early Italian Maiolica With Illustrations

I am only too well aware of the disadvantage of being obliged to use qualifying phrases, consequent on the necessity of frequently having to balance remote probabilities, the results then only permitting conjectural conclusions. My chief source of consolation is the conviction that the reader will prefer being brought face to face with the perplexing problems still unsolved, rather than be amused with theories, however ingeniously woven. And I venture to hope that much may be pardoned so long as the endeavour is made to avoid being misleading.

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