Two narratives intertwine in The Chenango Kid. One is the personal story of the author, Roger Miller, who grew up on Chenango Street, a main artery of the medium-sized industrial city of Binghamton, New York, in the 1950s. The second is the larger story of the 1950s. Each narrative enlarges upon the other.Many elements make up the personal: a devastating house fire, a single mother who liked to work and to frequent taverns, a father, mystified by life, less devoted to work than to benignly stalking his son, a half-sister long unknown, a drunken and/or crazy uncle or two, a boyhood paradise in the hills of Pennsylvania, and a passion for reading and art. All in all an unconventionally conventional working-class youth.The Chenango Kid also connects Chenango Street to the wider world of the Fifties, a vibrant, explosive decade in art, literature, music, movies, and television-making it The Decade That Never Ends. The popular culture of no other ten-year span in the century continues to exert its influence as strongly or to be revived as often as that of the 1950s.