Anyone who knows the haiku, his pioneerswho have inherited us it as Matsuo Basho, Akiko Yosano, Buson, Kobayashi Issa and manyothers, or that delivers it, know very well theimage and the message that it provides withinthree verses. That image the author feels andconveys to the reader within a number ofconditional appendices, 5-7-5. It is, as to say, a photographic shot that remains eternally incelluloid, or even as a short breathing. Also, wecan compare it well with a lightning in the darknight. Everything that is fixed at that momentremains in the mind, and just to close your eyes, and to look imaginatively, its images harden insubconscious.