Excerpt from Tippoo Sultaun: A Tale of the Mysore War

Towards the close of a day of intense heat, about the middle of the month of June, 1788, a party consisting of many persons might be seen straggling over the plain which extends southwards from the Fort of Adoni, and which almost entirely consists of the black alluvial deposit familiarly known in India under the name of 'cotton soil.'

The leader was a man perhaps about fifty years of age, he rode a powerful Dekhan horse of great spirit, but whose usual fiery comportment was tamed by the severe exertion he had undergone, from the miry roads through which he had travelled the greater part of the day. Indeed he began to show evident symptoms of weariness, and extricated himself from every succeeding muddy hollow - and they were very frequent - with less power. His handsome housings too were soiled with dirt, and the figure of his rider, which merits some description, was splashed from head to foot.

It has been already stated that he was a man of advanced age. His face, which was wrapped up, as well as his head, in thick folds of muslin, in order to protect them from the scorching heat of the sun, showed a dark complexion much pitted with the smallpox, but his eyes were very large, and of that intense black which is but rarely seen even among the natives of India, and which appeared to flash with a sudden light when any stumble of his gallant horse provoked an impatient jerk of the bridle, and a volley of curses upon the mud and the road, if such it could be called.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.