Excerpt from Two Discourses: I. An Essay on the Whole Art of Criticism, as It Relates to Painting, Shewing How to Judge I. Of the Goodness of a Picture, II. Of the Hand of the Master, II. An Argument in Behalf of the Science of a Connoisseur

There is a rent @ifi'erenee therefbre in the Work: of the ¿rvernl Mn¿erx. 102.

And that fdifeernnhle. 103 But in Some more then in Others. Ibid.

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