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En "La verdadera historia de la princesa y el dragón", incapaz de dominar su pasión, Regaliz, el dragón, rapta a la princesa Peladilla, quien al final se ve conquistada por la ternura y la honestidad de su carcelero. Besos para la bella durmiente, por su parte, muestra cómo una joven y hermosa princesa es víctima de un hechizo que la obliga a permanecer dormida hasta que la despierte un beso de amor. ¿Podrá el amor de un modesto paje vencer to...

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Without being a didactic book, without being a Pedagogy book, without dogmatic pretensions, Platero y yo faithfully responded to the ideology of the Institución Libre de Enseñanza, which was defending the approach to nature in order to learn from it and its primordial beings. That they were in a position to provide the human being: a lesson in humanism. Perhaps for this definitive reason it enjoyed the privilege of becoming a book of inexcusab...

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A gypsy boxer confronted with the myth of the Aryan race. Jewish gymnasts about to be gassed in Sobibor. A Palestinian runner locked up in the Gaza Strip. Sprinters with fists raised, barefoot on a podium. Swimmers who shrink their arms. Hitler, defeated by the grandson of a slave and eleven Israeli athletes kidnapped by Arab terrorists in an apartment in the Olympic Village in Munich, while revenge is brewing in a Tel-Aviv kitchen. That was, ...

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Lázaro was born in Salamanca, located on the side of the Tormes river. He was very poor and since he was a child had to look for the life itself. He didn't live in a happy world, but was smart and clever, and managed to get ahead. Like that Lazarillo de Tormes returns, in an autobiographical form, the adventures of a boy whose poverty forces him to put himself at the service of several masters and sharpen his wits so as not to starve. Without ...

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Introducción biográfica y crítica. I. La huida del dolor y el fastidio: Semblanza moral y social de Tomás de Iriarte. II. Vida y obras de Iriarte. III. Iriarte: literato español y cosmopolita. IV. Fuentes literarias de El Señorito Mimado y La Señorita Malcriada. V. La crítica ante el teatro iriartiano: Iriarte y Moratín. VI. El personaje y su medio en El Señorito Mimado y La Señorita Malcriada. VII. Ambientación realista y alta comedia en el t...

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