Excerpt from Wilhelmine Schröder-Devrient: Ein Beitrag zur Geschichte des Musikalischen Dramas$ie von mir für "llniere 3eit, Sabrßucb 3um (sauberiationßäegifon (23b. 6, 81 - 101) gelieferte biograpbiicbe @figge ben %rwnben ber bereinigtcn Sinnft [erin in Breiterer 9ln6fiifyrnng borpuiegen, ift bie 915 fidpt bieier 28iatter. Über $erfafier mar io gind'lid, , mancbe¿ei zdiateriai barin verarbeiten 311 fönnen, ba6 ibm Bei jenem 21rtifei noch nicht gugangiid, gemeim, unb er unterlaßt e6 nid, t, inßßeionbere bem ©d)wager ber 23erftorßenen, ©errn @mil ®ebrient 3u ©re6ben, ferner ben ®erren ?bichneh Qief3[ing unb EURbrofefior aguft ¿aiylert 511 $re6ian, iomie bem 'bianiften nnb @omponiftcn Sperrn Safe! EURroienipain 5n $ariß unb bem muiifaiiid, en $?ritifer £uir. Spenrt, LS Endet, in Bow bon nir ilyre irennbiicbe 11nterftiißung bierburd, öffentlid.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.